2006 Runway Makeup Trends: Gold Eyeshadow

Besides the nude look, one of the hottest makeup trend this year is gold eyeshadow. Designers like Celine, Anna Sui and Michael Kors all sent their models on the runway with eyes rimmed in gold as shown in the pictures below. But unlike the cool-toned gold with glitter look from before (think Foxy Cleopatra from Austin Powers), the gold eyeshadow we see this year is a lot softer and more towards the warm side.


How To Wear Gold Eyeshadow
* To avoid a swollen look, use a pale gold in the inner corner, a medium gold all over the lid and a darker brown on your crease. Line your bottom lashes with a gold pencil liner.

* With eyes this bright, keep the rest of your face clean and simple with pink blush and pink gloss.

Recommendations
* MAC Amberlights
* MAC Goldmine
* MAC Gorgeous Gold

Images: Style.com

Phyllis Li is the Founder and Editor-in-chief of Makeup For Life, one of the top 50 beauty blogs that focuses on celebrity makeup breakdowns, product reviews, makeup tutorials and all things beauty. Having lived and traveled in North America, Europe and Asia, she was exposed to different techniques and products at an early age and hopes to put a global perspective towards beauty. Phyllis won the Best Content Award by Total Beauty in 2008 and has been featured in various publications and websites including ELLE, Glamour.com, Yahoo Shine!, AOL Stylelist, Nylon Korea, VOGUE China, Ming Pao Daily (Canada) and Shanghai Weekly. In 2010, she was appointed one of the nine Real Women Ambassadors in the United States to take part in the Latisse® Wishes Challenge, working with Hollywood celebrity Kathy Ireland and raised over $400,000 for the Make-A-Wish Foundation to grant wishes for approximately 54 children. In 2012, she teamed up with luxury skincare brand TATCHA and released a limited-edition 3-Piece Set of her favorite beauty products. Phyllis currently lives in Chicago, US. She is the beauty editor for Shanghai Daily's StyleHai Magazine and a member of the Glam Beauty Network.

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